For the Culture By The Culture
Michigan’s new 24 percent wholesale tax lit up outrage across the cannabis industry, while New York regulators faced a courtroom map lesson and Massachusetts tried to reboot its commission. Pennsylvania found compassion in hospital reform, and Germany slowed progress with new rules. Reefer Report Card Vol. 18 grades a week of taxes, lawsuits, and bureaucratic burnout.
Every October, the machine cranks up the same show. New slogans, old fear. This year’s “October surprise” is quieter Red Ribbon Week, a vape bust, and a shrinking drug war pretending to roar. Pot Culture Magazine cuts through the noise and exposes how America’s favorite crusade still feeds itself on panic and nostalgia.
House GOP’s Rescheduling Block is the Last Gasp of a Dying Drug War. On Sept. 11, 2025, the House Appropriations Committee advanced a bill blocking DOJ funds from rescheduling cannabis. It is a prohibition theater dressed as governance, protecting alcohol, pharma, and law enforcement donors while ignoring science and public opinion. Two-thirds of Americans back legalization, yet Congress clings to 1971. This is the last gasp of a dying drug war.
A federal appeals court cracks the wall between cannabis medicine and the Second Amendment, ruling that patients shouldn’t be stripped of their gun rights. This pivotal decision signals the beginning of the end for decades of federal hypocrisy and outdated prohibition logic.
The latest Reefer Report Card grades a week of cannabis chaos: DEA raids licensed shops in Nevada and Wisconsin, Massachusetts regulators flunk an audit, New York zoning chaos wrecks dispensaries, and Michigan police bust a $10 million grow. Federal promises of rescheduling remain empty, leaving the war on weed alive and regrouping
Politicians whisper “maybe,” the markets jump, and the cannabis community cheers for a win that never comes. The Great Cannabis Con Job exposes the bait-and-switch of rescheduling talk, revealing how it stalls real reform, distracts from federal prohibition, and leaves prisoners behind. This is not progress; it is political theater dressed as change
