Actor David Krumholtz’s experience with Cannabinoid Hyperemesis Syndrome sparked a backlash that reveals a deeper problem in cannabis culture. This piece examines how rare conditions get weaponized, why defensive reactions backfire, and how patients, veterans, and families are erased when nuance collapses on both sides of the cannabis debate.
Sweden’s Prohibition Mirage: When “Drug Free” Becomes a Death Sentence
Sweden promised a drug-free society. Instead, it built a death machine. From overdose rates that dwarf Portugal’s to gang violence run by teenagers, this hard-hitting feature exposes the brutal cost of prohibition disguised as public health. Don’t call it a model. Call it a failure
CANNABIS PANIC IN DENVER
Denver’s new “cannabis psychosis” documentary blames weed for mental health crises, but the science tells a different story. Pot Culture Magazine follows the fear machine, exposes the shaky studies, and calls out the system pushing prohibitionist panic. This isn’t about health. It’s about control.
Cheech and Chong’s Last Movie Review: Brotherly Love, Bullsh*t, and the Long Strange Trip Home
Cheech and Chong’s Last Movie isn’t a stoner flick, it’s a raw, trippy confessional from two counterculture icons who shaped comedy and cannabis forever. With Dave Bushell behind the camera, the film blends archival chaos, animation, and unresolved tension into a story about brotherhood, pain, and legacy. It's not just a documentary. It’s an honest trip home.
Cinema High: The Future of Cannabis-Friendly Movie Experiences
What if you could light up during the movie? Thanks to new laws in New York and Massachusetts, cannabis-friendly cinemas are moving from stoner fantasy to cultural reality. This feature explores the legal shakeups, industry impact, and how theaters could become the next frontier in social cannabis consumption.
This Is the End (Again): Why Every Great Stoner Movie Falls Apart in Act Three
Why do the best stoner movies always go off the rails in the final act? This sharp satire breaks down the formula, from porch chill to warehouse explosions, and asks why Hollywood still thinks every high needs a crash.