The Ones Who Built It: Chris Simunek and the Lost Soul of Cannabis Journalism

In Part Two of our exclusive interview with former High Times Magazine Editor-in-Chief Chris Simunek, the conversation turns raw. From outlaw growers and underground legends to lost friends and a culture gutted by greed, Simunek reflects on the rise and fall of cannabis journalism. This is not nostalgia. This is what the movement lost when legalization cashed in.

Cheech Made Chicano Art a Force

Cheech Marin turned weed money into a monument. The Cheech isn’t just a museum, it’s a cultural counterpunch, a stoned out cathedral built for the artists the art world ignored. No permission, no filter, no apologies. This is the untold story of how one rebel flipped the script, lit the fuse, and made Chicano art impossible to erase.

Chris Simunek and the Culture They Tried to Bury

In this exclusive interview, Chris Simunek, former Editor in Chief of High Times, reflects on the outlaw era of cannabis culture when speaking up about weed was a risk, not content. He takes us inside the raw and rebellious movement that existed before legalization and corporate cannabis.

Steve Hager’s High Times Legacy

Steve Hager transformed High Times from a chaotic drug tabloid into a spiritual and cultural force for cannabis. Discover how he created the Cannabis Cup, popularized 420, and built the foundation of modern cannabis culture in this deep dive into his legacy.

Willie Nelson: The High Road Never Ends

At 92, Willie Nelson is not just still standing, he is still rolling. He fought for cannabis, freedom, and real music before it was safe, before it was profitable, and before anyone handed out awards for it. Willie did not follow the system. He smoked it, sang through it, and laughed it into submission.

Cheech and Chong’s Last Movie Review: Brotherly Love, Bullsh*t, and the Long Strange Trip Home

Cheech and Chong’s Last Movie isn’t a stoner flick, it’s a raw, trippy confessional from two counterculture icons who shaped comedy and cannabis forever. With Dave Bushell behind the camera, the film blends archival chaos, animation, and unresolved tension into a story about brotherhood, pain, and legacy. It's not just a documentary. It’s an honest trip home.

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